THE VISION
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The film's visual and aural language is influenced by my childhood experience of being looked down upon by adults, with the camera embodying an awareness of the adult gaze that often looks down to children. Adopting the standalone cinema's perspective, the camera becomes an active observer, assuming the viewpoint of the walls and foundations, maintaining a mostly static position to observe events from a distance.
The utilization of documentary elements, such as archival footage, will strengthen Life's perspective through the camera. Situated within long shots, the personal narrative of Life and other characters unfolds within a larger and communal perspective, transforming the cinema into a space where lives converge and coexist. The editing emphasizes the continuation of actions, from one frame to the next, connecting scenes through similar actions to create a bigger picture.
The concept of how Life sees the world is integrated by aligning the camera with Life's height. Despite its small size, the camera will never look above adults, cropping being inevitable. The design language embraces a maximalist approach, inspired by the Filipino hoarding culture, while the sound design weaves together the vibrant soundscape of the city, harmonizing the sounds of cars and people.
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